The Seep by Chana Porter Trolls the Same Waters as Pluribus on Apple TV

Cover Image Courtesy of 
Soho Press

If you are a fan of the Apple TV series Pluribus, maybe you’ll like this book—or maybe you won’t. That’s not necessarily throwing shade. The two separate endeavors share a highly similar setting where an alien invasion consists of a hive mind entity that solves everyone’s problems and makes everything possible once you surrender and accept the alien life form’s control. But under your terms. The Seep wants you to decide. No pressure…

Porter’s novel was published before Vince Gilligan ran with the series idea for Pluribus, but I wouldn’t be surprised if the book had been a source of inspiration. The difference between the two lies in their themes. While both address the problematic aspects of living in a questionable utopia that’s controlled by one big universal thought machine, Carol in Pluribus actively fights it. In The Seep, MC Trina lives in a world where the hive mind has already been established and the world has accepted it. Even Trina has accepted it in some form or other. Until her significant other Deeba makes a wildly controversial choice to utilize The Seep in a way that flat out ends their relationship. Trina deals with a loss—still similar to a loss that Carol shares in the TV series, except that the loss is fundamentally different (can’t explain, it’s a spoiler), and the loss is the crux behind all of Trina’s subsequent actions.

While Trina does push back against The Seep’s influence, her bigger hurdle is more personal. Her personal battle is more akin to depression and grieving. Also, there are themes that touch on addiction and acceptance of self.

I have conflicting feelings about this book, so let’s break it down the way a fair review should be done—the good—the bad—the rating.

Here’s the good. This is one of those books that is perfect for a book club or a group read. It’s an easy commitment at about 200 pages, it’s actually a quick and easy read, and there’s a lot to discuss. It’s a story relevant to current events in multiple ways, including discussions about gender, lgbtq topics, socialism and the advantages and dangers of living within an AI simulated reality. These topics might just make this book relevant for a near timeless run.

Now here’s the bad—and let’s be honest, it’s unfair for me to call what I didn’t like about this novel “bad.” These are the things that made me personally uncomfortable, and for some that might be a selling point. But here it goes…I loved the first season of Pluribus for the reasons that make it different from this book. I’m team Carol. The idea that we would all be happy if we were locked into the same brainwave frequency living in some parallel to an AI simulation that can become whatever we decide it to be—even if it isn’t—doesn’t sit well with me. Maybe I should harken back farther and pledge allegiance to team Neo. Kill the Matrix.

While the MC Trina does fight against The Seep to some degree in this novel, it’s not ultimately what Trina’s fight is about. The Seep is part of this world, and it isn’t really going away, and Trina is fine coming to terms with that part of her reality. This part of the story is a let down for me.

But it’s a great topic for a group read discussion, right? So my rating is a thumbs up one.

If you are interested in books and movies that explore a future painted up to be a surreal utopia that proves to be a facade, this book might be for you.  Thanks goes out to Porter Square Books who put out a social media challenge a while back to have them guess a good book selection for you based on some criteria that I have now forgotten. Maybe it was a “what TV are you watching,” kind of question because that would make sense… Anyway, The Seep is available through them, as well as through many book sites of your choice.

RedShirts by John Scalzi —

 

Cover Image
Courtesy of 
Tor Books

I’m still not sure if the title is one word or two, and I just looked it up… I’m sticking with one, though, and I apologize to Mr. Scalzi if I’ve offended. But I don’t get the impression that the author John Scalzi is easily offended, and there’s a slightly off topic reason for that. He’s a screenwriter.

Let me explain. Screenwriters, even the established ones, quickly come to terms with being dismissed or disrespected by the industry that they are essential to. Still, they continue to write. Hence, the thick skin. But why was I suspicious that a screenwriter was at the wheel?

This is my first read from Scalzi, and I have screenwriter roots too, and while reading this lighthearted tale about the crew of a ship with eerily recognizable similarities to a scifi series of the past, who stumble upon an equally eerie correlation to said series, my initial thoughts while reading it were, this feels like a novel written by a screenwriter. So I stopped reading long enough to do some digging—to do some flipping through pages to see that parts of the book were indeed written in some semblance of script format (for novels)—and I shouted, Aha! Screenwriter! 

This isn’t necessarily a bad thing. I prefer it sometimes, myself. But what it relies on is pared down descriptions and more dialogue than narrative to carry the story. So maybe, for those readers not familiar with the dos and don’ts of the business, be prepared to struggle with who is who and what they look like. You’ll have a general idea, and it gets easier halfway through, but initially, keeping track of the characters might be a small challenge. (There is one character who is introduced as a yeti, and yes, I got immediate Chewie vibes, but alas, he turned out to just be a hairy man.)

There’s also not a lot of character depth to the crew of the Intrepid, but there’s a reason for that that unfolds at the end of the book, where Scalzi pulls a unique hat trick with three codas. Here, he makes us feel for three specific characters who are barely part of the main narrative until the bitter end. And he makes us feel for them hard.

All in all, it’s a clever premise. And yes, if you’re a fan of any of the Star Trek series offshoots (especially Lower Decks), or any scifi series of the last few decades, of which the show in this narrative is not, you might enjoy this one. At minimum, I think it’s a good introduction to the world of John Scalzi.

Click on the cover image above or HERE for a link to buy at BookShop.org.