Sunday, August 18, 2024

Experimental Film by Gemma Files — A Slow Burn of a Gothic Tinged Folk Horror Tale.

 A slow burn of a supernatural mystery that takes place in the world of film as art (and not standard storytelling), the actual storytelling can be profoundly deep at times. I feel like this piece is meant for a niche audience, and yes, I just happen to fall into that category.

The protagonist is an art film historian, a student and teacher of the movement, and me, having graduated from a state school with a film degree—under the mentoring of the likes of Ken Jacobs and Ralph Hocking, felt comfortable in the environment that author Gemma Files has created.

Within that regard, this is an interesting story. You have a mother, torn between her passion for art and her special needs child Clark. Lois, the mom, finds an important discovery in the world of underground film and film history in general, when she stumbles upon a woman who was present at the start of it all, Iris Whitcomb. But because of her mysterious disappearance, after the disappearance of her own son at a young age, Whitcomb's potential mark on the history of filmmaking has been lost. That is until Lois connects some significant dots and garners a grant to suss out the entire story, and to prove it.

Lois becomes obsessed with the project, leaving the rest of the family —her mom and her overly patient husband Simon, to do the lion's share of caring for Clark. The trick here is empathizing with Lois in her quest to find the story for the sake of film history and women in film history, and I’m not sure Files pulls it off entirely. It’s important to note that the character Lois feels guilty about Clark in some ways, never feeling like Clark quite connects with her as a mom and always feeling like he is the way he is because of her own potentially neurodivergent inadequacies.

Clark, by the way is wonderfully portrayed in my opinion. And the culmination of the secondary story and of what Lois learns and accepts—because of Clark—is worth the time to tackle this otherwise slow paced read. The horror and supernatural elements have more of a haunting gothic quality rather than outright gore, so if you’re looking for a slow unraveling of creepy ambiance, this read might be for you. But solving the mystery of Iris Whitcomb's disappearance, and its connection to an ancient folktale of a goddess who needs to be seen and worshipped is the main story, and it takes time to link it to Lois's struggle with her responsibilities as a parent to Clark.

Click on the book cover above for a link to the book's GoodReads page. 

Sunday, August 4, 2024

Cunning Folk by Adam Nevill -- A Horror Novel about How to NOT Deal with New Neighbors

Cover Image courtesy of
Ritual Limited

Beware of your neighbors. They’re exactly who you think they are. That’s essentially what this book is about.

When a young, financially struggling family finds a fixer upper in a wealthier countryside neighborhood, they dismiss the previous owner's suicide to achieve the dream of being homeowners. But it’s a challenge to live next door to the most perfect estate on the street, especially when the elderly couple living there has prejudices and standards and snooty rules. Grudges build quickly, and window watching from a house that falls apart faster than it can be fixed exposes creepy WTF suspicions and revelations that build with every new peek. There is something terribly wrong with the neighbors, and their poisonous ways are seeping into the new family's back yard.

I have witnessed (and been through) enough cringeworthy neighbor confrontations and unintentional glimpses to understand the increasing madness that our MC Tom experiences. He's driven to that madness because of one niggling disagreement. Then another. And another. Each, building on the other toward a horrific end.

This book is weird. And funny. And heartbreaking. And splattery. A worthy folk horror read. 

Click on the cover image above to check out more reviews on Goodreads, and to find links to your favorite bookstores.