Little White Flowers by Amber Hathaway—A Promising Start to a Gothic Horror Series

Cover art courtesy of
Deadly Seeds Press

What I wasn’t expecting from Little White Flowers by Amber Hathaway, was a story that thematically falls into the realm of religious themed/cult themed horror, which is kind of my wheelhouse when it comes to the horror I tend to write  

Alice and Andy are brother and sister, young adults, who are tasked with spending their summer in a rural Maine town to clean up an inherited piece of property previously owned by their deceased grandmother. Before she died though, grandma hinted to Alice about a secret and sordid past in her hometown, and Alice is eager to uncover the family history.

What Alice and Andy find when they reach the town of Evanston is a cut off community with deep religious roots that border on the puritanical. Things begin to go awry as the members of the community openly judge the siblings for their sinful lifestyles—that are barely sinful at all in the outside world—and then for a budding relationship between Alice and one of the boys of the town, Riley. 

Hathaway states at the end of the book that she drew inspiration from the likes of Stephen King, and Children of the Corn, but I was getting a Shirley Jackson vibe, in terms of ambiance and style. There is a gothic patina to the work as opposed to outright horror, imo, and I find it appropriate for a young adult or new adult audience. I honestly can’t keep up with all the audience configurations nowadays, but this wasn’t overly gory or overly explicit. Also, the love interest angle never crossed a perceived line. Adult topics are addressed though, including bullying, teen pregnancy, domestic and child abuse. 

The main characters, Alice, Riley and Andy are kind and caring and noble to a fault. You want to root for them, although at times I wished they had more fight when they were challenged with the horrible fate the town has in store for them. Their moments of worry, indecision and downright acceptance of the circumstances sometimes made the story drag for me. But there are a few pleasantly surprising twists in the last third of the book. It’s also important to note that it’s an open ended story, clearly designed to draw us in to the next book. 

The villains of the story are of the cloth of the ultra conservative Christian kind, which can come across as a bit two dimensional and on the nose at times. But there are a few surprises among those Christians who prove to be questioning the strict rules of the faith, and who may prove to develop quite nicely in a continuation of the series. 

And if gothic tinged stories that put a spotlight on religious trauma are for you, then you might want to check out this book and its upcoming sequel here. 

February Book Review: Howl—A Shapeshifting Anthology by Graveside Press

Cover image courtesy of 
Graveside Press

 Howl: A Shapeshifting Anthology from Graveside Press, is a solid collection of thought provoking horror stories. I tend to like horror that tries to be more than just scares, and this series of stories achieves that end.

Some dare us to laugh in the face of tragic circumstances, like The Salt Circle by Warren Benedetto, where the shifter in question is not a werewolf but an anxiety triggered slug. Others base their stories around identity, specifically queerness and the challenge to be who we are in a society of rigid definitions. There are dystopian scenarios, old world settings and themes of retribution that should resonate with anyone who might have been a victim. It’s a wide mix of horror sub-genres, including body horror, horror fantasy, folk, scifi and more. The link between the diversity is the shapeshifter element.

Food for thought, is how I would summarize each and every story. The titles that stood out for me, including The Salt Circle listed above, are:

Moth(er) by Chase Anderson

Wolves at the Fair by Mir Rainbird

Together Bound Unto Perdition by Matt McHugh

How Afraid by Devan Barlow

Time for a Change by Mark Towse

A Horse Walks Into a Bar by A M Sutter

You can check the book out here, at the Graveside Press website.

New Year New Reviews — 1st of the year — Pyramids by Terry Pratchett

Cover photo courtesy of
Harper Books
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Pyramids is a story about a society of people who cling to their old habits and traditions to the point of endangering their own existence. It’s about resisting the change that stagnates the progress of a new generation with new ideas. I feel like I’m butchering this basic summary: it sounded much better in my head when I was in the shower. Now, I’m scrambling to paraphrase.

Of course, this conclusion makes it sound like this is a dire story with dire consequences for its characters. But it’s Pratchett, so he makes the foreboding atmosphere lighthearted and fun. I was amused by this entry into Pratchett’s Discworld series, as much as I have been with all of the ones I have read so far. Teppic is the son of a king in a kingdom called Djelibeybi, that shares a lot of similarities with our ancient Egypt and its neighbors. But Teppic is sent away to get an education in assassin school — until the king passes, and Teppic is called home to rule.

He doesn’t want to, though. He finds their traditions outdated, and as king, he finds himself with no control. The kingdom is really ruled by the high priests with their beliefs and traditions. Even his ghost father agrees, as he helplessly tries to communicate with Teppic to tell him that he doesn’t want to be buried in the biggest pyramid in the kingdom.

Enter the pyramid architects, who wind up messing with the space/time continuum in their attempt to construct the biggest pyramid in history using quantum theories they don’t quite understand. It threatens the very existence of the kingdom, and Teppic finds himself struggling to save it after his initial attempt to escape it. There’s also a handmaiden he finds is necessary to try and save, and a camel who views his entire existence through mathematic precision.

Yes, that’s the plot… You don’t need to fully understand it to enjoy it. But eventually we see that Pratchett’s theme is about the need to let go of the old ways if we don’t want to get swallowed up into the past. At this point, I decided that this 3+ star story was deserving of a solid 4.

Now go find yourself a Terry Pratchett book. I promise that it’s good for you. Much better than what you'll find in the current news cycle these days.