First Review of 2023 and why that's kinda, sorta a lie

Hello Everyone, and Happy 2023! Seriously, let's make Happy happen. I am posting a review here of a book that I read and technically reviewed back in November. But I neglected to post the review here because, you know. Busyness. Is that even a word? I don't care. Because my first blog post of the year is here and done, and that makes me happy. 

So, here it is, The Delve by Dan Fitzgerald... Get ready for some fantasy, TTRPG action romance, because that's what this book is all about. It's a niche audience for sure. But then again, so is horror. So, here's the review:

Well written on multiple levels. 

First, I need to disclose up front that this is not a book I would normally read. I like some fantasy, but I’m not a regular reader of TT/LitRPG or Erotica in general, so I’m not the best audience. But I see a request for ARC reads in the social media reader community, and I sometimes pay it forward with an honest review. Plus, it’s good to pick something up that’s out of your comfort zone once in a while. You never know, you might find a real gem. 

So, the Delve takes us to a world populated by races of furry beings known as the Maer and the Timon who are at war with the hairless skinf*ckers known as humans. It’s a traditional fantasy world full of medieval battles, dragons and sci-fi tech, and our heroes are tasked with a mission to see what’s going down at a brightstone mine gone dark and run by the Timon. 

Author Fitzgerald gets right into the action with our Maer heroes Ygland, Ardo and Aene who are confronted by dragon like monsters and their ultimate foes, a band of humans led by a mage intent on sabotage. They eventually meet up with Skiti and Laanda, two major characters representing the Timon. Laanda is the Timon queen and a worthy warrior to boot. 

The action sequences are a strong point in this story. Also, strong pacing, and well defined characters. Each character is distinct in personality, and they work well together as a team. There is conflict between the ways of the Maer and the Timon that creates adequate dramatic tension. 

Author Fitzgerald warns us at the start that the sex scenes in this story are graphic. And yes, he gets pretty detailed. The knight Ygland and his squire Ardo have a dominant/submissive relationship, and they express their physical affection for each other often. I’m not a huge fan of erotica, but in the context of their characters and their relationship, showing it to some degree makes sense. I was convinced of their true feelings for each other. 

There are also a couple of bondage scenes in other relationships. For me, they didn’t always feel necessary to the plot, but then again I’m not a huge fan of erotica. Also keep in mind that nothing in terms of the sexual activities of the characters was ever non consensual. Still, I wasn’t fully convinced of the attraction between some of the characters that led to the sex, in particular, one character’s attraction to a villain based on eye contact. I wasn’t convinced of the almost immediate level of trust between the two, considering the villain's crimes. 

The Delve itself represents the character Igland's quest to be heralded as a proper knight and hero before being put to rest in an almost sacrificial way by his people. He's all about tradition until the time comes when he understands the real sacrifices he’s making by upholding those traditions. There’s a worthwhile love story at the heart of the decisions he needs to make, and yet it doesn’t deter from the action of the delve itself. 

I was confused by a couple of tangents at the bitter end of the story that felt more relevant to our own recent events rather than what was going on in the actual story. But they were minor. The Delve is a solid read, great world building and character building, and plenty of erotica for the fan of it.

Mongrels -- by Stephen Graham Jones -- The Last Review of 2022

Cover image courtesy of William Morrow

 I’m a late comer to the Stephen Graham Jones bandwagon, having gotten my first taste of his work with The Only Good Indians. I’m slowly expanding on his previous work, and Mongrels — well it's a gem of a Coming of Age horror novel. Jones puts so much heart and soul into his characters that I almost feel guilty for only rating it a four out of five little twinkly stars. But I have my reasons. We’ll get to those later.

This is the story of a criminal, a prisoner, a villager, a sheep, all rolled into one as the main character tells stories of his own life as a boy raised by his extended family of werewolves after his mother dies giving birth to him. His aunt, his uncle, his grandfather are all storytellers, all hustlers to some degree too because the werewolf life isn’t a pretty one…depending on which family member is telling the story. They scramble to live along the fringe of society, doing their best to blend in, except when they can’t. That doesn’t make them any less proud of their questionable roots, and the kid—well, his entire story is about seeing what his aunt and uncle go through while he wonders when it will hit him; if and when he will ever experience the change.

There are times he wants to be the wild wolf that his Uncle Darren represents, times when he understands why his Aunt Libby has her reservations. It’s really about growing up and learning from the family that raises you. Funny at times, heartbreaking at others. It's a book I definitely recommend reading.

My only real reservation is the nonlinear approach to the story. The boy is a storyteller. His stories comprise each chapter. He's as young as eight in some, as old as eighteen in others. But the stories bounce around, back and forth from age to age as the family moves from Texas to Georgia to Missouri to the Carolinas to Florida and back again, and it can get confusing. Therefore, the four. But it's a solid four, absolutely.

A Dirty Job by Christopher Moore -- A Quick Book Review

Cover Image courtesy of
Harper Collins

A fun, often politically incorrect horror comedy that starts with gut wrenching tragedy. That tragic moment sets our main character Charlie Asher, "beta male," on a course for a new and highly unexpected career as a death merchant, a reaper of souls. It’s not a choice. The role is thrust upon him, and the job manual is, at best, vague. Needless to say, his failure to reap souls on a deadline leaves the balance of life and death, light and darkness in total chaos and puts the world as we know it — or at least San Francisco, in grave danger.

In spite of the reliance on some borderline cringy stereotypes, I laughed. I laughed often. No stereotype is off limits here, except maybe Minty Fresh, who has the mouth of Samuel L. Jackson and is very keen on warning MC Asher to tow the line. This story has the soul of a Terry Pratchett Discworld tale, but set in our world. It has the energy of movies like The Mask or Men in Black. A bit silly in the end. The big bad villains have their moments, but ultimately lack the right punch in the end.

But it’s a fun ride. Asher's cobbled together family, especially his daughter Sophie who is a growing cause for concern, keeps the fun rolling. A solid 4 star horror fantasy comedy. If you’re looking for horror silly, this book is a go.

I Need A Blog Post This Month But Don't Know Where To Start--A Random Rant Connected By Reviewing, Reviews and Tweet Trolls

 

  Book cover courtesy of Saga Press  

Where I want to start is with Stephen Graham Jones and his latest unreleased book Don't Fear the Reaper, a sequel to My Heart is a Chainsaw, which I totally loved and respected. You see, I requested an ARC of the book via NetGalley, and I got approved, and the review is written, but there are rules, so I am refraining from posting the review here. What you CAN do, is look at all of the reviews posted at NetGalley

Needless to say, I recommend it. No spoilers here. And if, for some impossible reason Stephen Graham Jones happens to check out my blog, maybe he'll remind me to post that review here in tandem with the book's release date in February, 2023. I mean, a self published writer with a few commonalities regarding what inspired her to write horror can dream, right?

No, I'm not a stalker. Geez! But there is a brief aside at the end of the book that Jones reveals about himself, and it has to do with when he was a kid and some older family members asked if they could bunk in with him after having seen Halloween that night at the movies. They were scared. And that little personal tidbit reminded me of my big brother, someone who wanted nothing to do with his little sister from another mother, until he went to the movies and saw The Exorcist. And, much like in Jones's recollection, my brother knocked on my door and asked if he could throw a sleeping bag on the floor and sleep there for the night. Because of The Exorcist. This was the same big brother who used to tease little sister with stories about The Birds, and how those birds had a specific taste for blond haired little girls munching on popcorn.

Aaah, siblings. Still, I could apparently save my brother from the things that went down in The Exorcist. What a superpower! Anyway, I can't post any more about Stephen Graham Jones--not without violating a restraining order (I'm kidding!)--But hey! I'd totally be down for a Misery inspired story from an SGJ point of view.

But if I'm not blogging about Reaper, then what should I blog about? My mind is hyper focused on several reader/writer related things these days. The third installment of my own trilogy, that begins with Perfect Prophet, is in the beta read stage, and that's an agonizing stage for a writer. Accepting a beta read request is a daunting responsibility--I understand this; I've been there on both sides of it. There's an underlying hesitation to beta read. The author wants--or should want honest feedback. That's the point, to see how the story tracks. But if your preliminary readers are friends or family, there's that worry that "not liking" elements of a story will hurt the author's feelings. And if your preliminary readers aren't fans of the genre, well...where to begin?

I also recently read a book from a newish writer that I was excited to read but that turned out to be less than a 4 star review for me. I had a feeling that the author wouldn't take this well if I posted it. But I personally don't feel comfortable leaving highly rated reviews as a favor. So I let the author review it then let them decide if I should post it. They requested I didn't. But they appreciated my opinions. No I'm not going to share the book, the review or the author. But it was a three star review. And the way many newer authors feel about a three star rating is a conundrum. It's the death of their careers! But it's...better than average, so. But I get it. I do. Who wants to be average-ish?

And while we're on the loose topic of book ratings and reviews, let's bring up Twitter Trolls. I got to experience one recently who maybe thought he was clever because he goes by the handle "Lou Bricant." Take out the 'o', squish first name and last together and-- I'm not a fan of banning books, and a politician was posted on video regarding his support of the anti-book banning movement. Mr. Bricant did not like the politician. He posted "your trying to hard."

Someone corrected his grammar. You know how it goes. Mr. Bricant continued to berate anyone who didn't agree with him regarding the politician or those liberal free speech views. "Like anyone is going to take a Tweeter who calls himself Lou Bricant seriously," I said deciding to take that wrong turn and add to the conversation. Mr. Bricant decided I was a "bootlicker."

More hilarity ensued, and after some other follower of the thread decided to buy my book (yes! I got a sale!), Mr. Bricant went on to troll the actual book as if he'd read it. A negative review of sorts... You can see them posted below, at the bitter end.

And, if you've gotten this far in this random blog edition of writers and readers and good and bad reviews, I'd like to address Mr. Bricant's criticisms of the book he "totally read." But first, if you're an author and you are compelled to respond to a legitimate but less than stellar review, don't do it. It's not good form.

Still...

Mr. Bricant,

First of all, thank you so much for taking the time to read my books and leave your thoughts. I value your opinions and am ready to discuss the points you bring to our attention. First, thank you for pointing out that my books are not exclusive. But I'm surprised. It was never my intention to deliberately write an inclusive book. Your observation that it is inclusive is a compliment.

With regard to my books being kinda racist, I'm willing to address that. In The Schoharie, yes there is an underlying current of racism going on in that story. The main character and hero Aaron is of Native American descent, and he has to deal with it at every turn. So yes, there are racist characters in the book. None of them are heroes though. In Perfect Prophet, yeah. the character of Mark in particular could easily be perceived as, at minimum, a casual racist. He calls the band's drummer Patrick his Mexicali Leprechaun, and Patrick isn't even Mexican. But Mark is hooking up with Cleo, and maybe I'm being too subtle, but she is an African American character. I don't necessarily dwell on that, so maybe you missed it. It reasonably puts the character of Mark in a gray area of racist intent though.

In a separate complaint, you noted that my books are not LGBTQ inclusive. Fair enough. My work is not LGBTQ specific. But there is an LGBTQ character in Perfect Prophet whose gender identity isn't really established. Please feel free to read Prophet Reborn, as that character's gender preferences become pretty clear--even moreso in book three that is currently in a beta read phase! I'm excited about it. Maybe you'll like that one better!

And hey, thanks for taking the time to "read the books." Kindness is everything!

The Exhumation by Nick Padron -- A Quick Book Review

 

Cover Image Courtesy of
TouchPoint Press

A poignant companion piece to For Whom The Bell Tolls

This book, set in war torn Spain in 1937 begins, presumably, where Hemingway's masterpiece left off. Three Americans are tasked with bringing the body of one Robert Jordan home from the Spanish Civil War.

Suffice to say that if you are a fan of Hemingway's classic work For Whom the Bell Tolls, you will really enjoy this work. I never got to this particular Hemingway, having been introduced to The Old Man and the Sea in high school. That was enough Hemingway for me.

But I enjoyed The Exhumation. I'm more of a movie person, and the ambiance of this novel conjured images of a Turner Classic, Bogart, Casablanca tale. What I'm trying to say is that you don't necessarily need to be up on your Hemingway to enjoy it. But if you are, you probably will.