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| Cover image courtesy of Cowboy Jamboree Press |
A well written YA/New Adult piece of folk horror set in Appalachia during the depression. It took me a while to get invested in this story of a rural mountain boy literally just trying to survive with his family during the Depression. Fifteen year old Leo is a meek and obedient kid from the start, trying to earn coin to help pay for necessities for the household that includes a pair of brothers, a sick little sister and a mother who has lost any hope of a better life since her no good husband up and left the family. Again.
Mama tasks Leo with the job of going into town and finding dad, who is probably wasting what little money the family has on bars and brothels. But the first third of the book is Leo avoiding this chore. Instead, he hangs with an old widow who pays him for jobs she can't do, and who feeds him stories of the danger and magic in these woods--in particular, tales of wulvers. Author Clark spends a lot of time setting Leo up as a bit of a shy loser here. Leo avoids sharing his feelings for his crush named Lilyfax, he fails to stand up to bullies, and he kowtows to preachers who are clearly questionable men of the cloth. But he also has a special gift, it seems, when we learn that he has almost a sixth sense relating to wild animals. Enter that magical creature, the Shadow Wulver.
The story picks up dramatically at this point. The connection to this mythical beast changes both Leo and the course of the story, where the wulver could become the power that Leo needs to help his family through heartbreak and hardship, or something more dangerous that both exposes and feeds off of Leo's repressed anger. This dichotomy was what made the overall story most interesting for me. It propels Leo into his real journey, to find out what happened to his dad, which plunges him into another story altogether--to find out why several young women have gone missing--many of them from that brothel dad likes to visit.
Clark could have easily made a misstep here, where the young male lead plays the hero to the helpless beautiful girl, but he manages to avoid that trap. What I'm saying, is that the women in the story are not all helpless, and that's a good thing. Whether Leo helps save anyone or becomes an unassuming participant in their demise is for the reader to find out.
Also, categorizing this book can be tricky. It has young adult characters but may be more suitable for a slightly older readership. It contains themes of rape, and domestic and sexual abuse, but Clark manages to infer these things more than showing them. And the strength of the female characters is well done. In fact, while the story mostly focuses on Leo's perspective, there are a few chapters that jump to certain female characters using a first person perspective, and those brief passages are some mighty fine writing, imo.
All in all, an entertaining read for the folkloric horror fan.
I received an advance review copy for free, and I am leaving this review voluntarily.
Find a copy of Where Dark Things Grow HERE.
