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| Cover art courtesy of Deadly Seeds Press |
What I wasn’t expecting from Little White Flowers by Amber Hathaway, was a story that thematically falls into the realm of religious themed/cult themed horror, which is kind of my wheelhouse when it comes to the horror I tend to write
Alice and Andy are brother and sister, young adults, who are tasked with spending their summer in a rural Maine town to clean up an inherited piece of property previously owned by their deceased grandmother. Before she died though, grandma hinted to Alice about a secret and sordid past in her hometown, and Alice is eager to uncover the family history.
What Alice and Andy find when they reach the town of Evanston is a cut off community with deep religious roots that border on the puritanical. Things begin to go awry as the members of the community openly judge the siblings for their sinful lifestyles—that are barely sinful at all in the outside world—and then for a budding relationship between Alice and one of the boys of the town, Riley.
Hathaway states at the end of the book that she drew inspiration from the likes of Stephen King, and Children of the Corn, but I was getting a Shirley Jackson vibe, in terms of ambiance and style. There is a gothic patina to the work as opposed to outright horror, imo, and I find it appropriate for a young adult or new adult audience. I honestly can’t keep up with all the audience configurations nowadays, but this wasn’t overly gory or overly explicit. Also, the love interest angle never crossed a perceived line. Adult topics are addressed though, including bullying, teen pregnancy, domestic and child abuse.
The main characters, Alice, Riley and Andy are kind and caring and noble to a fault. You want to root for them, although at times I wished they had more fight when they were challenged with the horrible fate the town has in store for them. Their moments of worry, indecision and downright acceptance of the circumstances sometimes made the story drag for me. But there are a few pleasantly surprising twists in the last third of the book. It’s also important to note that it’s an open ended story, clearly designed to draw us in to the next book.
The villains of the story are of the cloth of the ultra conservative Christian kind, which can come across as a bit two dimensional and on the nose at times. But there are a few surprises among those Christians who prove to be questioning the strict rules of the faith, and who may prove to develop quite nicely in a continuation of the series.
And if gothic tinged stories that put a spotlight on religious trauma are for you, then you might want to check out this book and its upcoming sequel here.
